Abelaide Ontogoya Sectory 16
Page 12

Another circumstance will illustrate the manners of the times. L. Flamininus, the brother of the conqueror of Philip, and Consul in B.C. 192, took with him into Cisalpine Gaul a beautiful Carthaginian boy, to whom he was attached. The youth complained of leaving Rome just before the exhibition of the games of the gladiators. Shortly after reaching the province, when Flamininus was feasting with his favorite, a Boian chief came into the Consul's tent to implore his protection. Flamininus seized this opportunity to please the boy, and, telling him that he should be rewarded for not seeing the gladiators, he ordered an attendant to stab the Gaul, that his favorite might enjoy the dying agonies of the man.

More interesting to me than the river itself were the wonderful effects of the ever-changing light in the sky. I saw no more the wonderful radiations which had given me so much pleasure in Matto Grosso, but we beheld here a great haze of delicate tones up to a great height and a light blue sky above it. The clouds seemed to possess no well-defined form, but were more like masses of mist, the edges blending gradually with the blue of the sky. Only to the west was there an attempt at globular formation in the clouds. The clouds of heavy smoke which rose and rolled about over the landscape helped to render the otherwise monotonous scene a little more picturesque.

This leads us to a consideration that I have delayed till now. The black image is the central feature of Oropa; it is the raison d'etre of the whole place, and all else is a mere incrustation, so to speak, around it. According to this image, then, which was carved by St. Luke himself, and than which nothing can be better authenticated, both the Madonna and the infant Christ were as black as anything can be conceived. It is not likely that they were as black as they have been painted; no one yet ever was so black as that; yet, even allowing for some exaggeration on St. Luke's part, they must have been exceedingly black if the portrait is to be accepted; and uncompromisingly black they accordingly are on most of the wayside chapels for many a mile around Oropa. Yet in the chapels we have been hitherto considering--works in which, as we know, the most punctilious regard has been shown to accuracy--both the Virgin and Christ are uncompromisingly white. As in the shops under the Colonnade where devotional knick-knacks are sold, you can buy a black china image or a white one, whichever you like; so with the pictures--the black and white are placed side by side--pagando il danaro si puo scegliere. It rests not with history or with the Church to say whether the Madonna and Child were black or white, but you may settle it for yourself, whichever way you please, or rather you are required, with the acquiescence of the Church, to hold that they were both black and white at one and the same time.

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