Abelaide Ontogoya Sectory 16

On one occasion a gentleman was returning home from a fatiguing journey, and became very drowsy. He fell asleep, and, strange to say, he also fell from his saddle, but in so easy a manner that the tumble did not rouse him, and lay sleeping on where he alighted. His faithful steed, on being eased of his burden, instead of scampering home as one might have expected, stood by his prostrate master, and kept a strict watch over him. Some laborers at sunrise found him very contentedly snoozing on a heap of stones. They wished to approach the gentleman, that they might awaken him, but every attempt on their part was resolutely opposed by the grinning teeth and ready heels of his determined and faithful guardian. They called out loudly, and the gentleman awoke and was very much surprised at his position, while his faithful horse showed his pleasure by neighing and scraping his feet on the ground. The gentleman then mounted, and they galloped away at great speed, both glad to be able to make up for lost time.

Well-born, ennobled by royalty, successful in both court and studio, Rubens lived brilliantly and his life was a series of triumphs. He painted enormous canvases, and the number of pictures, altar-pieces, mythological decorations, landscapes, portraits scattered throughout the galleries of Europe, and attributed to him, is simply amazing. He was undoubtedly helped in many of his canvases by his pupils, but the works painted by his own hand make a world of art in themselves. He was the greatest painter of the North, a full-rounded, complete genius, comparable to Titian in his universality. His precursors and masters, Van Noort (1562-1641) and Vaenius (1558-1629), gave no strong indication of the greatness of Ruben's art, and his many pupils, though echoing his methods, never rose to his height in mental or artistic grasp.

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