Abelaide Ontogoya Sectory 12
Page 10

As soon as the armies were quartered for the winter, the Romans sent an embassy to Pyrrhus to negotiate the ransom or exchange of prisoners. The embassadors were received by Pyrrhus in the most distinguished manner; and his interviews with C. Fabricius, who was at the head of the embassy, form one of the most famous stories in Roman history. Fabricius was a fine specimen of the sturdy Roman character. He cultivated his farm with his own hands, and, like his contemporary Curius, was celebrated for his incorruptible integrity. The king attempted in vain to work upon his cupidity and his fears. He steadily refused the large sums of money offered by Pyrrhus; and when an elephant, concealed behind him by a curtain, waved his trunk over his head, Fabricius remained unmoved. Such respect did his conduct inspire, that Pyrrhus attempted to persuade him to enter into his service and accompany him to Greece. The object of the embassy failed. The king refused to exchange the prisoners; but, to show them his trust in their honor, he allowed them to go to Rome in order to celebrate the Saturnalia, stipulating that they were to return to Tarentum if the Senate would not accept the terms which he had previously offered through Cineas. The Senate remained firm in their resolve, and all the prisoners returned to Pyrrhus, the punishment of death having been denounced against those who should remain in the city.

At first Dutch art was influenced, even confounded, with that of Flanders. The Van Eycks led the way, and painters like Bouts and others, though Dutch by birth, became Flemish by adoption in their art at least. When the Flemish painters fell to copying Italy some of the Dutch followed them, but with no great enthusiasm. Suddenly, at the beginning of the seventeenth century, when Holland had gained political independence, Dutch art struck off by itself, became original, became famous. It pictured native life with verve, skill, keenness of insight, and fine pictorial view. Limited it was; it never soared like Italian art, never became universal or world-embracing. It was distinct, individual, national, something that spoke for Holland, but little beyond it.

For weeks together this exemplary parent continues his monotonous task, ventilating the spawn many times every day, till the time comes for hatching. It takes about a month for the eggs to develop: and then the proud father's position grows more arduous than ever. He has to rock a thousand cradles at once, so to speak, and to pacify a thousand crying babies. On the one hand, enemies hover about, trying to eat the tender transparent glass-like little fry, and these he must drive off: on the other hand, the good nurse must take care that the active young fish do not stray far from the nest, and so expose themselves prematurely to the manifold dangers of the outer world. Till they are big enough to take care of themselves, he watches with incessant vigilance over their safety; as soon as they can go forth with tolerable security upon the world of their brook or pond, he takes a last well-merited holiday.

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