Abelaide Ontogoya Sectory 11
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"That would be a different affair. She is _not_ my daughter, and I don't feel called upon to interfere. Casaubon is as good as most of us. He is a scholarly clergyman, and creditable to the cloth. Some Radical fellow speechifying at Middlemarch said Casaubon was the learned straw-chopping incumbent, and Freke was the brick-and-mortar incumbent, and I was the angling incumbent. And upon my word, I don't see that one is worse or better than the other." The Rector ended with his silent laugh. He always saw the joke of any satire against himself. His conscience was large and easy, like the rest of him: it did only what it could do without any trouble.

Reynolds was well-grounded in Venetian color, Bolognese composition, Parmese light-and-shade, and paid them the homage of assimilation; but if Gainsborough (1727-1788) had such school knowledge he positively disregarded it. He disliked all conventionalities and formulas. With a natural taste for form and color, and with a large decorative sense, he went directly to nature, and took from her the materials which he fashioned into art after his own peculiar manner. His celebrated Blue Boy was his protest against the conventional rule of Reynolds that a composition should be warm in color and light. All through his work we meet with departures from academic ways. By dint of native force and grace he made rules unto himself. Some of them were not entirely successful, and in drawing he might have profited by school training; but he was of a peculiar poetic temperament, with a dash of melancholy about him, and preferred to work in his own way. In portraiture his color was rather cold; in landscape much warmer. His brush-work was as odd as himself, but usually effective, and his accessories in figure-painting were little more than decorative after-thoughts. Both in portraiture and landscape he was one of the most original and most English of all the English painters--a man not yet entirely appreciated, though from the first ranked among the foremost in English art.

The cave of Gailenreuth, in Bavaria, was explored by Dr. Goldfuss in 1810. He came to the conclusion that the bones of bears and other extinct animals were proofs of the former presence of the animals themselves. Dr. Buckland, a celebrated English writer, visited the cave in 1816, and became much interested in the work; so much so that when Kirkdale Cavern, in England, was discovered in 1821, he at once repaired to the spot and made a careful exploration. The results satisfied him that hyenas and other extinct animals had once lived in England. He followed up his explorations in a number of cases, and published a work on this subject in 1822, which marks the commencement of a new era in cave research.

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