Abelaide Ontogoya Sectory 04
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BLAU, TINA. Honorable mention in Paris, 1883, for her "Spring in the Prater." Her "Land Party" is in the possession of the Emperor of Austria, and "In Spring-time" belongs to the Prince Regent of Bavaria. This talented landscape painter was born in Vienna, 1847. She was a pupil of Schaeffer in Vienna, and of W. Lindenschmitt in Munich. After travelling in Austria, Holland, and Italy, she followed her predilection for landscape, and chose her themes in great part from those countries. In 1884 she married Heinrich Lang, painter of battle scenes (who died in 1891), and she now works alternately in Munich and Vienna. In 1890 she gave an exhibition of her pictures in Munich; they were thought to show great vigor of composition and color and much delicacy of artistic perception. Her foreign scenes, especially, are characterized by unusual local truth and color. Among her best works are "Studies from the Prater in Vienna," "Canal at Amsterdam," "Harvest Day in Holland," "The Arch of Titus in Rome," "Street in Venice," and "Late Summer."

We turn from Empedocles, which perhaps it is scarcely fair to have criticised, to the first poem in the latest edition, "Sohrab and Rustum," (Poems. By Matthew Arnold. A New Edition, London: 1853.) a poem which alone would have settled the position which Mr. Arnold has a right to claim as a poet, and which is remarkable for its success in every point in which Empedocles appears deficient. The story comes down out of remote Persian antiquity; it is as old, perhaps it is older, than the tale of Troy; and, like all old stories which have survived the changes of so long a time, is in itself of singular interest. Rustum, the Hercules of the East, fell in with and loved a beautiful Tartar woman. He left her, and she saw him no more; but in time a child was born, who grew up with the princes of his mother's tribe, and became in early youth distinguished in all manly graces and noblenesses. Learning that he was the son of the great Rustum, his object is to find his father, and induce him, by some gallant action, to acknowledge and receive him. War breaks out between the Tartars and the Persians.

In Borneo, the Orang-Utan of the Malays goes by the name of "_Mias_" among the Dyaks, who distinguish several kinds as _Mias Pappan_, or _Zimo_, _Mias Kassu_, and _Mias Rambi_. Whether these are distinct species, however, or whether they are mere races, and how far any of them are identical with the Sumatran Orang, as Mr. Wallace thinks the Mias Pappan to be, are problems which are at present undecided; and the variability of these great apes is so extensive that the settlement of the question is a matter of great difficulty. Of the form called "Mias Pappan," Mr. Wallace observes: "It is known by its large size, and by the lateral expansion of the face into fatty protuberances, or ridges, over the temporal muscles, which have been mistermed callosites, as they are perfectly soft, smooth, and flexible. Five of this form, measured by me, varied only from 4 feet 1 inch to 4 feet 2 inches in height, from the heel to the crown of the head, the girth of the body from 3 feet to 3 feet 71/2 inches, and the extent of the outstretched arms from 7 feet 2 inches to 7 feet 6 inches; the width of the face from 10 to 131/4 inches. The color and length of the hair varied in different individuals, and in different parts of the same individual; some possessed a rudimentary nail on the great toe, others none at all; but they otherwise present no external differences on which to establish even varieties of a species.

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